This innovative pitcher was handmade by Joshua Madalena, a Jemez potter known for his brilliant revival of ancient Mogollon and Mimbres style wares. Created in the black and white polychrome style of Jemez pottery that has not been made since the 17th century, this incredible work features a striking raised lizard design that serves as the pitcher’s handle. Constructed by hand from natural clay, the vessel is covered in precise and complex hand-painted designs, including a striking checkerboard pattern that represents rain or snow. In this unique and sculptural one-of-a-kind pitcher, Madalena pays homage to the traditions and art forms of his ancestors, creating a modern masterpiece that will bring the spirituality and beauty of Pueblo pottery into your home.
- Pitcher handmade by Joshua Madalena (Jemez Pueblo)
- Natural clay with all-natural vegetal and mineral slip
- Crafted through traditional horizontal coil method
- Pitcher measures 8” x 5-1/2” x 5”
- Comes with a signed Certificate of Authenticity
Handcrafted works of Native American art require special care. For more information about proper care and cleaning, please read our Care Guide.
Joshua Madalena is an innovative potter from Jemez Pueblo known for his revival of historic black-on-white Jemez pottery, an art form that has been lost for over 300 years. This traditional style of black and white pottery was practiced by the Jemez people from at least 1300 A.D. up until 1692, when they stopped making this pottery style rather than surrender their fine wares to the Spanish. After a decade of research and years of trial and error, Madalena was able to perfect the techniques needed to create this ancient pottery style. Today, his revival pottery is collected around the world and admired for its elegance, spirituality and expressiveness.
Jemez Pueblo potters are known for their artistry and innovation, with many artists producing premium handcrafted vessels in traditional and contemporary styles. Before the arrival of the Spanish, Jemez was known for its traditional black-on-white ware, but production of this type of pottery died out in the early 18th century. Most pottery used in Jemez Pueblo after that came from nearby Zia Pueblo. There was a revival of Jemez pottery-making in the early 20th century inspired and influenced by Zia pottery designs, but it was not until the 1960s and 70s that a significant number of Jemez potters began producing high-quality work using ancient methods. These potters developed a distinctive style of black-on-red and black or red-on-tan, while dramatically improving their technical mastery of the form. Since the 1980s the popularity of handcrafted Jemez pottery has soared. Today, many artists create pots in the signature Jemez red style, but there are potters working in a range of colors and forms. Jemez potters make storytellers, wedding vases, seed pots, sgraffito-etched vessels and more, and are widely recognized for their craftsmanship, creativity and experimentation in design and technique.
The most celebrated and recognized art form of the Pueblo Indians of New Mexico, Pueblo pottery is known around the world for its remarkable beauty and craftsmanship. It has been made in much the same way for over a thousand years, with every step of creation completed by hand. Pueblo potters do not use a wheel but construct pots using the traditional horizontal coil method or freely forming the shape. After the pot is formed, the artist polishes the piece with a natural polishing stone, such as a river stone, then paints it with a vegetal, mineral or commercial slip. Finally, the pot is fired in an outdoor fire or kiln using manure or wood as fuel. Santa Clara, San Ildefonso, Jemez and Acoma Pueblos have distinctive pottery styles that are especially prized by collectors, but there are accomplished potters working in all Pueblos. Today, Pueblo pottery is an exciting and dynamic form, with many artists pairing traditional techniques with innovative and stylized designs. Those potters who continue to create pots using traditional methods possess an extraordinary level of skill, and their pots are highly valuable works of fine art that will be enjoyed for generations to come.Read our Native American Pottery Collector's Guide.
At Shumakolowa Native Arts, we guarantee that your purchase is an original and authentic work handcrafted by Native American artists as defined by the Indian Arts and Crafts Act of 1990. We ask our artists to complete an extensive certification process, providing a CIB (Certificate of Degree of Indian Blood) card and other documentation of their Native American heritage. Our team of experts carefully inspects every product to guarantee it is handcrafted using traditional, sustainable processes and natural materials of only the highest quality. We record the place and date of each purchase and pride ourselves in paying a fair price that allows artists to make a living practicing their craft. Every work of handcrafted art comes with a Certificate of Authenticity signed by an artist or buyer. At a time when many commercially-made products are being sold as handcrafted Native American art, our in-depth purchase process allows us to guarantee the authenticity of every unique piece of fine art we offer. For more than 35 years, we have made it a priority to visit artists in their studio or home to purchase their latest handcrafted pieces and learn about their work. We have developed lasting relationships with artists, as well as dealers and collectors, and we take pride in being a trusted destination for fine Native American art.