Taos Pueblo artist Bernice Suazo Narajo's "Resting Wolves" pot features a contemporary mixture of finely etched wolves at rest. and smooth stone polish.
Sienna finish is created by the traditional firing process as a background for sgraffito, which is done by scratching through a surface to reveal a lower layer of contrasting color.
This piece is a must-have for any pottery collection.
- Vase handmade by Bernice Suazo Naranjo (Taos Pueblo)
- Natural clay with all-natural vegetal and mineral slip
- Crafted through traditional horizontal coil method
- "Avanyu Abstract"
- Pot measures L: 8-1/2" W: 9" H: 10"
- Comes with a signed Certificate of Authenticity
Handcrafted works of Native American art require special care. For more information about proper care and cleaning, please read our Care Guide.
Naranjo is originally from Taos Pueblo, and married to Tito Naranjo of Santa Clara Pueblo. She is a sister-in-law of Jody Folwell and Nora Naranjo-Morse. She is also the mother of Caroline Elliot, Dusty Naranjo, and the grandmother of Johnathan Naranjo.
Occasionally potters apply an additional micaceous clay slip before firing, add knobs, or a very simple design punched into the clay, but generally Taos and Picuris pots are unique for being unpainted, unpolished, and having minimal decoration. These micaceous clay pots range in color from a lovely orange-peach to almost black.
What also sets Taos and Picuris pots apart is that they are functional and can be used for cooking. The bean pot is one of their well-known forms and is an excellent baking and stovetop cooking piece.
Very little traditional pottery has been produced at Taos and Picuris Pueblos since 1950, but there are a few artists working to revive the tradition who create spectacular examples of traditional micaceous clay pottery.
The most celebrated and recognized art form of the Pueblo Indians of New Mexico is pottery. Pueblo pottery is known around the world for its remarkable beauty and craftsmanship. It has been made in much the same way for over a thousand years, with every step of creation completed by hand.
Pueblo potters do not use a wheel, but construct pots using the traditional horizontal coil method, or freely forming the shape. After the pot is formed, the artist polishes the piece with a natural polishing stone, such as a river stone, then paints it with a vegetal, mineral, or commercial slip. Finally, the pot is fired in an outdoor fire or kiln using manure or wood as fuel.
Santa Clara, San Ildefonso, Jemez, and Acoma Pueblos have distinctive pottery styles that are especially prized by collectors, but accomplished potters are working in all Pueblos.
Today, Pueblo pottery is an exciting and dynamic form, with many artists pairing traditional techniques with innovative and stylized designs. Those potters who continue to create pots using traditional methods possess an extraordinary level of skill, and their pots are highly valuable works of fine art that will be enjoyed for generations to come.Read our Native American Pottery Collector's Guide.
Authenticity signed by an artist or buyer. At a time when many commercially made products are being sold as handcrafted Native American art, our in-depth purchase process allows us to guarantee the authenticity of every unique piece of fine art we offer. For more than 40 years, we have made it a priority to visit artists in their studio or home to purchase their latest handcrafted pieces and learn about their work. We have developed lasting relationships with artists, as well as dealers and collectors, and we take pride in being a trusted destination for fine Native American art.