Jemez Pueblo potter Carol Lucero Gachupin handcrafted this traditional male drummer figurine. Storytellers and figurines are a unique Pueblo art form that celebrate the tradition of passing down stories orally. They usually depict an elder surrounded by children.
In Gachupin’s figurine, each element was created by hand from natural clay using the traditional coil and pinch methods, and hand-painted with natural pigments, demonstrating the artist’s mastery of traditional pottery-making. This storyteller will bring a celebrated Pueblo pottery tradition into your home.
- Figurine handmade by Carol Lucero Gachupin (Jemez Pueblo)
- Natural clay with all-natural vegetal and mineral slip
- Figurine measures 6 1/2” high x 5” long x 2” wide
- Comes with a signed Certificate of Authenticity
Handcrafted works of Native American art require special care. For more information about proper care and cleaning, please read our Care Guide.
Carol G. Lucero Gachupin (b. 1958) is a well-known Jemez Pueblo potter who learned the art from her mother, Margaret Lucero, and acclaimed pottery artist Marie Romero. Carol loved to draw as a kid, and attended drawing classes after school led by renowned artist Alfred “Al” Momaday, father of N. Scott Momaday, Ph.D., the first Native American to win a Pulitzer Prize for literature.
Carol uses traditional pottery methods passed down through generations, first making her own natural clay and pigments, then molding and painting her figures by hand, and finally firing outdoors.
Inspired by memories of her grandfather telling stories around the fire and dinner table, Carol specializes in storyteller figures, and is known for the incredible level of detail and sophisticated painting in her figurines.
Jemez Pueblo potters are known for their artistry and innovation, with many artists producing premium handcrafted vessels in traditional and contemporary styles. Before the arrival of the Spanish, Jemez was known for its traditional black-on-white ware, but production of this type of pottery died out in the early 18th century. Most pottery used in Jemez Pueblo after that came from nearby Zia Pueblo.
There was a revival of Jemez pottery-making in the early 20th century inspired and influenced by Zia pottery designs, but it was not until the 1960s and 70s that a significant number of Jemez potters began producing high-quality work using ancient methods. These potters developed a distinctive style of black-on-red and black- or red-on-tan, while dramatically improving their technical mastery of the form.
Since the 1980s, the popularity of handcrafted Jemez pottery has soared. Today, many artists create pots in the signature Jemez red style, but there are potters working in a range of colors and forms. Jemez potters make storytellers, wedding vases, seed pots, sgraffito-etched vessels, and more, and are widely recognized for their craftsmanship, creativity, and experimentation in design and technique.
Native American and Pueblo people of the Southwest have been making clay pottery figures since ancient times. Their creation was discouraged by Christian missionaries and the form was not widely practiced in the 16th–19th centuries. Figurative pottery was revived in the 20th century and clay figurines have since become one of the most popular and widely collected Native American art forms.
Storytellers are a type of clay figure that is unique to the Southwest. They were developed by Helen Cordero of Cochiti Pueblo in 1963, and traditionally depict a male elder telling stories to children, all with open mouths. Cordero was inspired by the traditional “Singing Mother” figure often represented in clay, and by her grandfather, a legendary Cochiti storyteller.
In Pueblo culture, stories are passed down orally from generation to generation, and the storyteller figure represents the importance of the storytelling tradition. Today, Native artists across the Southwest create storytellers, sometimes depicting the elder and children as clowns, drummers, acrobats, cowboys, or animals, and handcrafted figurative pottery continues to be one of the most exciting, colorful, and successful pottery forms.Read our Native American Pottery Collector's Guide.
At Shumakolowa Native Arts, we guarantee that your purchase is an original and authentic work handcrafted by Native American artists as defined by the Indian Arts and Crafts Act of 1990. We ask our artists to complete an extensive certification process, providing a CIB (Certificate of Degree of Indian Blood) card and other documentation of their Native American heritage. Our team of experts carefully inspects every product to guarantee it is handcrafted using traditional, sustainable processes, and natural materials of only the highest quality. We record the place and date of each purchase, and pride ourselves in paying a fair price that allows artists to make a living practicing their craft. Every work of handcrafted art comes with a Certificate of Authenticity signed by an artist or buyer.
At a time when many commercially made products are being sold as handcrafted Native American art, our in-depth purchase process allows us to guarantee the authenticity of every unique piece of fine art we offer. For more than 35 years, we have made it a priority to visit artists in their studio or home to purchase their latest handcrafted pieces and learn about their work. We have developed lasting relationships with artists, as well as dealers and collectors, and we take pride in being a trusted destination for fine Native American art.